Fragments of the Quiet Storm · Selected Poem
The Girls Beneath the Harbour
Last summer,
I went to the water
because the city
had too many mouths.
Every street
knew what happened.
Every window
looked too much
like a witness.
Every red light
became a warning
my body understood
before I did.
Harbourfront glittered
as if grief
had not entered the city
and learned my name.
Glass towers
held the sun
in their bright, indifferent hands.
Tourists laughed
with ice cream melting
down their fingers.
Streetcars rang
their small silver bells.
Somewhere,
music rose
from a speaker
near the boardwalk.
Somewhere,
children chased gulls
as if the world
had not already proven
how quickly a body
can become a memory.
I stood
at the edge
of Lake Ontario
a lake large enough to pretend it was an inland sea,
and tried
to breathe.
The lake was large enough
to make the city
look temporary.
Large enough
to swallow noise.
Large enough
to hold
what I could not keep carrying
through streets
that kept turning ordinary
without permission.
I had learned by then
that grief
does not always arrive
wearing black.
Sometimes it arrives
as exhaustion.
As a locked jaw.
As hands
you keep washing
though there is nothing there.
The red
my mind kept inventing
between my fingers
was not evidence.
Only aftermath.
Only the body
trying to make guilt
visible.
Only memory
mistaking itself
for blood.
The lake
did not ask me
to explain.
It did not ask
what I saw.
It did not ask
why I survived
the knowing.
It did not ask
why some names
become rooms
you cannot enter
without leaving
part of yourself
behind.
The lake
only moved.
Blue shoulder
after blue shoulder,
carrying summer light
away from shore.
I wanted it
to take everything.
The image.
The sirens.
The silence after.
The careful voices.
The questions
with no merciful answers.
I wanted the water
to reach inside me
and loosen every memory
from the walls.
To sweep the city
out of my chest.
To leave me
clean enough
to walk home
as someone
who had not been haunted
before dinner.
But water
is not mercy
in the way we imagine.
It does not erase.
It keeps.
That is the first thing
the lake taught me.
Beneath the harbour,
beneath the blue
my grief made endless,
I imagined them.
Not monsters.
Not miracles.
Not the pretty kind
painted on souvenir cups,
all jeweled tails
and harmless smiles.
Girls.
Women.
Names
the city tried
to drop
into the dark.
Grief
given fins.
Memory
taught
how to breathe
under pressure.
They lived
beneath the boats,
beneath the ferries,
beneath the white wake
tourists photographed
without knowing
what the water
was carrying.
Some had hair
tangled with lakeweed.
Some wore pearls
that looked too much
like tears.
Some had mouths
full of songs
they no longer offered
to the living.
Some had hands
like mine—
open,
empty,
accused by nothing
except memory.
They did not sing
to lure men
to their deaths.
That is a story
the shore invented
to explain
why drowning
always sounds
like a woman’s fault.
No.
They sang
because silence
had been mistaken
for peace
too many times.
They sang
because the dead
should not have to beg
to be remembered.
They sang
because somewhere
above them,
the city kept walking
over its own ghosts
and calling it
a normal day.
I wondered
if my friend
had heard them.
Not as rescue.
Not as return.
Only as witness.
A chorus
beneath the blue,
saying:
you were here.
you were loved.
you were not only
what happened
at the end.
The lake darkened.
The sun lowered itself
between buildings
like a coin
pressed
into a closed palm.
For a moment,
the water looked less
like a surface
and more
like a door.
I thought
about stepping through.
Not dying.
No.
Only disappearing
from the version
of the city
that knew too much.
Only becoming
something with gills.
Something no one
could ask
to explain
its grief clearly.
Something beautiful
because it had survived
what pressure
was meant to destroy.
I wanted to be
one of the girls
beneath the harbour.
Not harmless.
Not healed.
Not innocent.
Just changed enough
that the world
would stop expecting
my lungs
to work the same way.
But the mermaids
did not call me down.
They rose instead
in the language of waves.
One after another,
they broke
against the rocks
and returned.
Broke
and returned.
Broke
and returned.
As if survival
was not a grand thing.
As if it was only
this:
to be struck,
to scatter,
to gather yourself
back into motion.
I stayed
until the sky
turned bruised
and gold.
Until the city lights
opened their eyes.
Until the harbour
became a bowl
of trembling stars.
I could still feel
the ghosts
waiting for me
beyond the water.
In the streets.
In the stations.
In every place
where memory
had learned
to stand quietly
beside my shoulder.
The lake
had not taken them.
Not completely.
But it had held them
long enough
for me
to unclench my hands.
Long enough
for the imagined blood
to become
only skin again.
Long enough
for breathing
to feel less
like betrayal.
Before I left,
I looked down
at the dark water
and thanked
the girls
beneath the harbour.
For not being gentle
in the way people demand
from survivors.
For keeping
what the city
could not bear
to name.
For proving
that depth
is not the same thing
as disappearance.
That drowning
is not the only story
water knows how to tell.
That somewhere
beneath every blue surface,
there is a chorus
of unfinished lives
refusing
to become silence.
And maybe
that is what mermaids are.
Not fantasy.
Not warning.
Not beautiful
because they are safe.
Beautiful
because they learned
how to live
where the world
sent them
to vanish.Back to Selected Poems