Fragments of the Quiet Storm · Selected Poem

The Moon Files a Missing Person Report

Date of disappearance: unknown. Last seen: standing in a room where everyone agreed she was fine. Distinguishing features: two hands, usually occupied. A mouth trained to close around weather. A pulse that knocks before entering its own body. The moon arrives at the station wearing yesterday’s light. No one looks up. This is common among humans, the moon writes in the margin. They mistake brightness for evidence of arrival. Officer asks: How long has she been missing? The moon says: Since the first time she answered I’m okay and believed that was the safer language. Officer asks: Was there violence? The moon considers. Not the kind with broken windows. Not the kind that photographs well. Only the slow removal of her own name from every room she entered. Only the daily miracle of becoming useful enough to vanish in plain sight. Officer checks a box: voluntary absence. The moon refuses to initial it. Outside, night gathers in the parking lot. A vending machine hums like a trapped insect. Somewhere, a woman laughs into her phone with the careful pitch of someone leaving no evidence. The moon knows her. The moon knows all daughters who stand beneath bathroom lights and practice looking human. All children who grow into doorways. All girls who become weather reports for other people’s storms. The officer asks for a recent photograph. The moon slides over a thousand reflections. Her face in a dark window. Her face in a spoon. Her face in the black screen of a phone after the call ends. Her face in lakewater, traffic glass, the silver belly of a subway door. Officer says: These are all blurry. The moon says: Yes. That is what happens when a person spends years moving through herself too quickly to be held. Possible aliases: The Responsible One. The Quiet One. The Difficult One. The One Who Understands. The One Who Does Not Need Help. The One Who Always Finds a Way. The moon circles the last name twice. False, it writes. False, but frequently used. Possible cause of disappearance: overexposure to expectation. Repeated swallowing of unsentenced grief. Chronic proximity to rooms where love required translation. History of making shelter out of locked doors. The officer pauses. This is a lot for one person. The moon looks through the blinds at the city glittering with lives no one has properly searched. One person, it says, is never only one person. Every missing woman contains the child who waited, the teenager who learned silence, the adult who kept walking, and the ghost who still flinches when her own name is called too softly. The form does not have space for this. The moon writes it across the back. At 2:17 a.m., the fluorescent light flickers. For a moment, the officer’s face goes pale and cratered. For a moment, even he looks like something the dark once held and released incorrectly. He clears his throat. Does she want to be found? The moon grows quiet. In every city, there is a window where a woman stands without turning on the light. In every window, there is a version of her still deciding whether disappearance is a wound or a door. The moon has watched them all. Watched them take off earrings like small planets. Watched them wash dishes at midnight. Watched them press fingers to their own wrists as if checking whether the signal still reaches earth. Does she want to be found? The moon writes: Unknown. Then crosses it out. The moon writes: Yes, but not by anyone who will call the ruins dramatic. Yes, but not by anyone who thinks return means becoming easy to recognize again. Yes, but not by anyone who finds her only to ask where the old version went. At dawn, the station empties of patience. The officer says: We cannot open a file for someone who is still alive. The moon laughs then. A sound like oceans remembering they once belonged to the sky. Alive, it says, is not the same as accounted for. But the officer has already turned away. So the moon leaves the report on his desk. Case number: unassigned. Status: unresolved. Search area: every room where a woman has mistaken endurance for proof she was not lost. At sunrise, the moon thins to a fingernail, then less. All day, no one sees it working. Still, it searches. In puddles. In mirrors. In the backs of spoons. In every bright surface where a missing girl might look up and mistake herself for evidence that someone has been looking.
Back to Selected Poems